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Re: Stacked Triads OK on bass, and more to your question.

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Posted by Shawn on February 27, 2000 at 17:22:34:

In Reply to: Stacked Triads OK on bass, and more to your question. posted by Carol Kaye on February 27, 2000 at 02:36:33:

: : : So, stacked triads is a term concerning chordal instruments and not the bass (no chords for the most part)?
: ------------------------------------------------
: From Carol Kaye.

: Stacked triads help you find your substitute chords and solo materials (for guitar, piano etc.) and on bass they are necessary practice for not only substitute solo licks but to train your ear to hear chords, and chord changes. And yes, you do change to the pivotal b5 (commonly known as a tritone) on the last part of the bar, sometimes in the whole bar, depending on the length of the chord changes previously. No, you do NOT fit every chordal note "into" each chord perfectly, that's a fallacy, taught by people who have no concept of the ever-moving concepts of playing jazz (jazz btw is the theory used in much of pop music today), totally not. When you play D7, you can always change it to D7-9, D+, D7b5, Am7, Ab9 (pivotal b5 chord) whatever is your fancy on guitar and piano (solo instruments also, sax, etc.) and on bass, you can also move chords around, but you better get a big handle on how chords MOVE, the cyclic movements that are in most standards, how you can back-cycle, the common substitute chords, and bbefore that common good walking patterns. It's a whole study, not one you want to learn from a beginner themselves. D7 can always be changed to D7b9 (D7-9) same notes as Abo, and D7 can be changed to D7-5-9 too, same notes as Ab7, and vice-versa. Things like that you need to know before you can understand the common chord substitutions. Plus when you practice the stacked triads: G7 is (in triad form): G Bm-5 Dm F Am C Em etc. only then will you hear the complete G7 chord. On the bass, much-needed for ear training, but learn it from someone who is well-versed in chordal progression, many (maybe even most) bass teachers are not well-versed in chordal progressions like the older teachers selective in your teacher. Run to the exit if they teach only scales.

Thank you so much. I believe the picture is coming into focus.

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