Posted by air cut light on January 03, 2001 at 12:46:44:
Hey, I'm probably going to be picking up an old acoustic 360 preamp and folded horn/cabinet (with the 18" set backwards and the amp inside). I think I'm getting really lucky because it's a friend of a friend and the guy just wants to get rid of it, so I'm going to pick it up for something like 300-250. I've played it with a jazz bass with flatwound dead strings, and it sounds good, but I don't know how it'll sound with my Rickenbacker. I've got the preamp now, so I'll be able to see what it sounds like with roundwound strings that are a little brighter, but I'm home for break and I haven't got my bass with me. I try to get my sound as close to Chris Squire's sound on the early Yes records. How well will this amp do that?
If the 360 will lack top-end punch, I've got another option. I have an old acoustic 150b and a 2x10 cab I made last year. I was thinking I could run from the preamp into the 360 cab and the 150b head, then have that head power the two tens for more high end stuff. Other setups would allow me to run the fuzz channel on the 360 while the 150b stayed clean. I'd get an extra 125 watts and the final stack would end up being massive. Any thoughts?
Finally, there's an analogue tuning fork on the preamp, and I was wondering how in the heck is that supposed to be useful? There's no indication as to what frequency it starts at (I think, though, that with both of the knobs cranked it's an E), and no way to tell what note it's playing aside from your bass, which might be out of tune. Is one supposed to set it before the show at some pitch, (A440?) and then flip it on later on?
Thanks for your help!
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